Desire Lines

I used to count how many cities I had visited since he'd left. I last counted nine, but I know there have been many more since then. Perhaps when I got to 10, 15 or 20 cities, I would lose that compulsion to report to him. I would no longer stumble over those various reminders that'd compel me to reach out, swooning with some references that only he would understand. Perhaps, then, I might have seen enough to convince me that there was more to life than that love.

The on-road associations used to rattle in my chest until I communicated them to him. It was the same even when we knew each other, I'd rush to tell him all I had seen in Stockholm or Budapest, all the neon, the cheap vinyl and all the model buildings, poorly constructed in balsa wood. It'd all be filtered through his tastes and persuasions, because I had lovingly retained all that he told me. All reports would be met with the same remark: "That's awesome! I wish I could have been there with you!"

He used to say that a lot to me. In fact, he used to say it every day. It started when he declined going to Tower of London with me. Instead, I went alone, quietly resigned to the dynamic that would always exist between us. He would always decline any prospect of a tacky adventure, citing lack of time and logistical difficulties. I would always go forth unbegrudgingly, earphones in place, prepared to tell him every detail of the day's mission when we reconvened that night. It was an operation that was on his terms, but then I was always prepared to accept whatever was offered to me.

In our last conversation, I detected a tone that almost resembled rage: "Look, if there was anybody in the world that I could spend time with, it'd be you, OK? But I just don't have the time." It's perhaps one of the most familiar components of any friendship I've ever had, this ambiguous sense of unrequitedness. It carries on from the first friends I ever had, refusing to come with me to Scienceworks to Laur's handwritten letter, explaining she doesn't want to go out with me on weekends because she's more of a "stay-at-home kinda girl". When Gav flaked out on going to a Smiths night at Ding Dong, my disappointment overshadowed any joy that had preceded it. My hope managed to fracture the love I would historically value most.

I tend to forget those days when they relented: they went out, they actually did what I wanted, the things I had dreamt of. There are three particular days which seem eerily similar to one another, even though they happened in 2006, 2012 and 2016. On two out of the three occasions, they would scald me for being "unable to walk down street properly". On each of the occasions, we would eat at a cafe and they would openly yearn for some other girl. They'd be distant and distracted, irritable and pissed off. As we walked down High Holborn on the third occasion, the familiarity of it overcame me. I choked out that had to leave and for the first time ever, I volunteered to be alone.

The friends that remain want to shake me, they want to rid of my desire to make associations, to create reports for these people who simply don't care. They want to rid me of a plague that consumes me, that occupies my heart in lieu of any functional attachment. When I'm challenged on the subject, I say that the difficulty is that he never actually mistreated me, the greatest brutality was his silence. I begrudge others for so much less, but in this instance, he's left with me with enough evidence to suggest that he would have wanted to have been here, he would have wanted to hear all about it, still. I suppose it's up to me to choose how to reconcile those proclamations alongside the fundamental truth that he could have been here if he wanted to be.

Locks II

I lived in constant fear of him finding my diaries. It was a fear that only ever increased with age. I started filling notebooks as an 8 year old and by the age of 25, I was running out of places to hide them. At first, I insisted on diaries fitted with a cheap tin lock, convinced that this would successfully deter his obsessive attempts to violate my work. Once he tampered with them with manicure scissors, I realised that it was preferable just to ask my dad to lock up my writings in the filing cabinet. Those notebooks remained inaccessible to me and they are locked up still, with pages unfilled.

I would later type up stories, encrypted with passwords on Microsoft Word and Creative Writer. I once failed to do so and it resulted in him going through my piece, changing all the nouns to HAM. It was a reference to the name he obsessively called me, much to the amusement of my mother. Despite my efforts, that familiar scene materialised all too frequently: his standing over me with book wide open in hand, reading out loud, only stopping to obnoxiously cackle in my face. The memory of it is more painful than any other aspect of his systematic routine of verbal and physical abuse. Now I have been free of it for six years, I never stop asking myself why I wasn't protected, but he was.

I have been reminded of that aspect of my past in recent times, when friends ask me why I publish such personal details in essays online. I start to feel emotional and defensive, in much the same way I did then. It makes me suspect that I must have been encouraged to stop writing as a child, if only to stop that destructive routine that had emerged with my brother. I can't articulate why I still wrote obsessively, but I am moved by the thought that I persisted in light of such fear. The irony now is that the external publication of such work is my only hope of redress. Instead of the routine humiliation that once came with exposure, I am now comforted by the readership. It is my only sign that there might be a willingness to acknowledge the extent of my pain. There might be some unspoken remorse.

Metaphors

I remember a time when I wrote and he replied. I wrote to him during his work hours, delivering news of triggers and associations as if he were still here: reports of the fridge door having fallen off its hinges and a photo of "breadcake", a piece of white bread with some candles impaled in it. He wouldn't reply as often as he used to, but he would claim that he sent messages that I never received. When I did receive a reply, he was polite but distant, half-heartedly entertaining my stupid stories about a life which could only really be described as Fawlty Towers meets The Young Ones. I knew that he hated it here and I knew he would never return after he left.

I mourned his physical and emotional absence. His replies lacked the kind of warmth and personal interest I had grown accustomed to. I dreamt up this metaphor of being partially submerged in a raging river. I would cling onto a rock to save myself from being carried away in the torrent. He was like that rock, inadvertently shaped like a handle, not purposefully doing anything to encourage me to hold on, but still providing a means for me to cling and hope. The river represented other hostel encounters and the existence of other possibilities that I purposefully avoided. I held my head above water, still feeling that pressure to accept his choice, to let go and move on.

I dwelled on that scene, describing it to Don, a short-term guest who had the tendency to veer our every conversation into the realms of intense romantic trauma. Don had the noble intention to keep our conversation light, but we were genuinely incapable of small talk and so he still found himself there with me at reception, extolling brutal therapy til the early hours of the morning. I'll never forget how he described what was happening to me, he said it was akin to a kind of haemorrhage: "You are used to having this daily exchange and now it's like you are losing your life force. You are bleeding everywhere. You are getting nothing back anymore..."

To anybody who had any kind of distance from the situation, the sudden and complete lack of responsiveness was to be expected. I could never really accept it, however, relying upon prior assurances that we would always have access to one another. He would always respond to me. In light of that, we had always discussed concepts like legacy and consequence, perhaps as a subconscious attempt to help me manage those future triggers and associations that would plague me. I'm now left to consider the veracity of all these grandiose assurances and I don't know how to reconcile any of it: "I won't be able to listen to music without thinking of you..."

Notebooks need to be filled. Essays, songs and unsent letters need to be written. It will eventually manifest in kindness, clarity and indifference. Most importantly, I have to continuously remind myself that although there might be silence, but the dialogue which I share with Missy Laur provides the kind of space and patience necessary to wring out any plague. It was surreal to have her sit across from me in reception, as so many others had done before. I described Don's vivid metaphor to her. I added that her insight had always managed to make me feel so alive, so together. I felt so gratified that she knew it too: "Of course! I am your dialysis machine."

Translations

I was so alarmed when he said it to me, I was convinced that it was a mistranslation from the Dutch: "It takes a real man to hurt a woman." It was such a curious expression that I rushed to write it down, not wanting to forget it. When I asked what he meant by that, he went on to explain that it takes courage for a man to take responsibility for the pain he's caused. I said I agree absolutely, although he probably could have expressed it in a slightly different way.

I like to think of myself as an honourary man. I insist that the men around me treat me as such. I encourage them to confide, discuss and describe the way they treat women. I do not take particular offence when they generate an endless stream of seemingly sexist synonyms, ranging from the fat and the stupid to the needy and hysterical. I do not feel particular disappointment when they detail the hollow physicality of their latest conquest. It is a compliment that I know, it is a compliment that they tell me.

A friend often pleads with me to be careful with such confidences, she tries to convince me that knowing such truths will ultimately damage the way I perceive men. I always laugh, because there's no other way to react to such a suggestion. For me, it seems counter-intuitive to fly the flag for feminism when I'm privy to such discussions. Instead, I listen. I try to understand their motivations and justifications. I try to find the source of their cruelty and thoughtlessness.

When I was younger, my brother predicted that I would marry a wife-beater. I never asked why, I had always assumed it had something to do with his obsessive compulsion to punish, bully and control myself and my mother. For this reason, I'm unsure how we ever became friends, but we did for a short time. I was 15 and we would talk for hours and hours, all while listening to early Depeche Mode on our all-night drives to Nunawading. I once asked him if he ever regretted how he treated us: "I've never hurt either of you. I've never done anything wrong..."

Whenever I recall his brutality, I'm reminded of that moment. I'm reminded of that flippant, completely remorseless sense of entitlement. For whatever reason, he felt like he needed to do what he did.

He and I have not spoken in three years, although I find myself silently counting the years over and over again, as if I've made some huge mistake. I don't recall any words during that last interaction, I just recall the ferociousness with which he spat on me. I'm filled with curious feelings of disgust and self-satisfaction when he tells my mother that he misses my emails. He tells her that he thinks I write better than anyone else in the family. I know that I'll never speak to him again, in the same way that I know that I'll never forgive him.

Perhaps it makes sense then, that I should look for that illusive assumption of responsibility in the uncensored accounts of male friends and heartbreakers. Sure, I will always yearn for a sincere statement of remorse, I will always long for an explanation. The thing is that I know how they speak about us. I know how they think about us. It is a compliment that I know, it is a compliment that they tell me.

Sentences

I once realised that you only need a sentence to survive. A succinct statement of the sadness and brutality, enough to push you forth into rational thought. It would always take several notebooks to work out its construction and strangely enough, I would always forget the exact articulation upon later reflection.

It's come far sooner than I ever thought it would. I didn't need to write reams of pages to work out the sentence I must live out, I managed to exhaust every word in excessive thought. It makes me idle with nauseousness: he convinced you of my meaninglessness, like he convinced me of your meaninglessness.

I think of it purposefully and wait for the arrival of indifference. It was meant to come much sooner than this.

Jiving at the Long Bar by Kevin Lear

Aperture

It was one Wednesday morning in London town, when Sharron and I were sipping rose lemonade in a vintage camera coffee house. We took photographs of old cameras with new cameras and I took a photograph of myself (or "a naked selfie", as Andrew would call it). My complexion was pallid, my eyelids smeared with Kohl, my overgrown fringe slightly parted. The fatigue is clear, the resignation obvious, the grief apparent.

I didn't delete that photograph, as I should have. It didn't go with the rest of the online travel propaganda, all those check-ins and photographs which would suggest endless days of fun-filled adventure. Then again, perhaps that's why I kept it. Inasmuch as the photograph reveals something grim and truthful, I know its meaning will transform itself in time. One day, I'll look and I won't see his damage. I'll look and I'll see something else.

Pennies

It was a bizarre ritual I had devised some years before. Often, while waiting to get into a club, I'd hand over one of the pennies that lined my rucksack. It seemed to be overflowing with pennies since my 2005 English adventure and although it was never a big deal to hand one over, I'd closely examine how they'd react. Some would be confused, unable to understand why I would hand over something so fiscally worthless. Others, namely the important one, the one who ruined me, seemed to get it. I was bemused to see him closely examining the brass coin, grinning. He would soon boast proudly that he affixed the penny to his wall in order to hold up a poster of Johnny Marr. He would later attempt to return the penny to me, at the end of one of our many epic break ups. I was just about to get out of his car when he slipped the penny into my hand and I wanted to die.

I had never really felt the need to articulate the consequence of the penny, especially since it had been so long since my rucksack had been lined with them. I found myself talking about it with you, for some reason. I had only just met you for the first time a few days before, but we felt content and comfortable enough to talk for hours and hours at Sousou. Even then, you marvelled at how alike we were, often proclaiming that we were separated at birth. I remember your retelling of G. K. Chesterton's short story, What I Found In My Pocket and I can only assume that it inspired me to tell you about the ritual I once practised. I came up with some very vague analysis, suggesting that it was a kind of innocuous test, something to do with the heart. I wanted to see how they would treat something with so little value.


Months later, we met upstairs at Bimbo's and you proudly boasted that you had a present for me. It was a book wrapped in crinkled and faded Florentia paper, allegedly found in an abandoned cupboard. I was thrilled to find it was an alarmingly new-looking copy of Anthony Thornton's Libertines book that you allegedly found in an op shop. More poignantly, you had attached a 10p coin to the back cover with masking tape. We never really spoke about what it all meant, in fact it was probably the first time that we had ever stopped talking for more than a few moments. I suppose when I think about it now, it was the first time that I ever felt like I was on the back foot. Where I had assumed that I was always in the position of the sincere and vulnerable, I was being asked if I was for real.

As it stands, I'm unsure whether I'd ever want to voluntarily hand over trust like a worthless penny. I once thought I was impervious to harm, after the damage sustained from the important one. I imagined I had perfected an almost undetectable level of detachment and that's the reason why I stopped myself from practising this ritual. I never trusted you with a penny, as such, but I made the mistake of handing over more trust than I ever would have consciously permitted. If only I had been smarter, if only I had been more stealthy, if only I had been more sensible, I would have known. I would have known not to bother.

The Hypocritical Headband

Missy Laur and I would often preface advice with the expression, "please excuse the hypocritical headband". It was a reference to the large 1960s headbands I used to wear. Like the headband, the hypocrisy of the scenario was so dramatic that it could never be avoided and instead of being sensible and attempting to take our own advice, we would use the hypocritical headband as a mechanism to deliver lectures, guidance and comfort.

We wore the headband in good faith, we did. We were deathly aware of our mutual propensity to obsess, in spite of our reassurances that there would come a time when we wouldn't. She told me repeatedly that things would get better and after a very long time, they actually did. I would reassure others too, sitting across from dear friends at Sousou. I would tell them that no matter how painful it is now, everything will eventually numb out in time.

Those reassurances now seem so wildly insincere, so desperately hypocritical. I can't believe I ever forgot how painful it could be, but then I find it hard to believe I ever managed to endure it all before. I know on some fundamental level that it will be their words, the words of Missy Laur and Louise Sucre that will ultimately cure me. I have no idea what words could make for any immediate cure but I will try and listen. I will try and get better.