Showing posts with label Interactions. Show all posts
Showing posts with label Interactions. Show all posts

Friday, March 12, 2021

Heady States

"You have to remember the power of your words too. For you, it's a heady moment to forget but for me, it's waves of electricity coursing through my fingers. You touch me."

It's a quote that's lived in me for years and years and for some reason it came back to me today. It was from this English rock star penpal who I talked to online when I was 20. He hated that "rock star" label so much, but I can say he was a musician from some emerging indie band that managed to infiltrate the mainstream. We met during a phone interview: he called from London and I spoke into a microphone from my little radio studio at RMIT. There was a minor confusion in the set up, did he mean the interview was this Thursday or the Thursday after? The conversation itself was long, relaxed and languid. We would go on to send super lengthy emails to one another. Soon it became frantic texts in the middle of the night and eventually, some real or imagined romantic dimension materialised.

In spite of its brevity, the communication was electrifying. In retrospect, I see that everything was closely tied to his narcissism. I had granted him this unlimited space to speak about himself and his band and girlfriend and music and neighbours and festivals... that he never really bothered to find out anything about me. It was just how I wanted it. Each email sent provided this incredible opportunity to blend my favourite things: therapy, music and analysis, all the while obscuring the pathetic truth of my existence as a failing law student. Despite all that, he managed to infuse so much romance into the dynamic, that we may as well have been dispatching ink-stained letters in the early 1800s. I died to see his name on a screen. It meant he was thinking of me.

The fall out was devastating. He returned home from a tour in Holland and texted me: "My world's seismic. I've fallen in love. I need to talk to you..." I momentarily thought that he was referring to us but he would swiftly disclose that he was agonising over some other girl. She was with someone else too but they had been talking intensely for some months now. Since it happened, all those years ago, I kept on screaming into the ether, "HOW ON EARTH DID YOU HAVE SPACE FOR THIS??" It's hilarious to say it now but at the time I was completely heartbroken. For years I pined for his poetic turn-of-phrase, his dramatic sensibility and his over-the-top insistence that I understood what it all meant.

The story is more nuanced and detailed than that, but that's why I've written so many essays about it over the years. All coded, disguising the identities of the victims. He was intensely quotable: when I asked him whether he wanted to see me in London, he said: "I'd only see you if it meant more to me than it would to you." It was romantic while at the same time there was an ambiguity that would confuse you. He doled out phrases that would hold you tight and squeeze you like a boa constrictor. My hostel lover was a bit like that, coming up with expressions like, "Just because I don't want to remember, doesn't mean I can forget..." and "Every time you've looked at me and felt I've wanted to kiss you, I've wanted to kiss you..." I mean, what does that even mean?

I don't believe either of them were really in love with me when they said these things, but there was something in their capacity to say such things so beautifully and spontaneously that led them into this very intense kind of euphoria, like a creative flow state. They fell in love with themselves and their own poetics. I'm not sad about it, they were powerful lines, any one of them could be shoehorned into a jagged post-punk anthem that we'd sing down at the indie clubs. I miss their poetic desperation. I would give anything now for their name to flash on my screen, despite the pain, despite the fallout.



Friday, November 17, 2017

Pitch

I first became subjected to this pressure to be breathlessly articulate ten years ago. When my counsellor urged me to only see her once I had specific questions to discuss, it broke my heart. It became apparent that I had to frequently launch into an elevator pitch, particularly when I was compelled to speak with an important type with an impatient manner. Their inattention would rattle me, my chest would constrict when I'd see their wandering eyes search for something else, anybody else they'd rather be talking to. It happens in these momentary interactions, in chance meetings with musical heroes, prospective employers and BBC journalists. I speak quickly. I make it brief.

When I heard a recent recording of his voice, competing for space and attention, I was reminded of how this dynamic plagued him in the days when I knew him. We never discussed it, but I always thought his fast-paced delivery reflected a feeling of creative powerlessness. He was eternally pitching to the eternally distracted. We hadn't spoken in five years but I still felt a level of gratitude towards him. In spite of his cruelty, he checked back frequently to read my Plague essays. Knowing of his silent readership prompted me to lovingly craft my words. I felt relieved at the thought that I still existed in his mind, yet I struggled to obscure the fact that I no longer held onto his memory as I once did. I still don't know if he ever knew that I had loved and lost another.

In a moment of madness, I crafted an email to him in reference to his forthcoming visit to London. It drew heavily on my ancient fear of being in London and being denied the possibility of seeing someone important. I wrote to offer the chance to meet as friends but I never honestly expected a response, because I know that even the caring don't tend to write. Yet, in this instance, he did reply. It was palpably abrupt, condescending and needlessly harsh. What I had intended as a kind gesture managed to shake all the kindness that I had once cultivated in my heart and my head. In that moment, I knew that he would never visit this site again. I had lost my muse... and there's no one around who could possibly understand what that means to me.

It's a loving thing to be generous with your time and space, but I need to reconcile with those suffocating moments where there's no interest, there's no love or warmth. It's best to return to those friends who choose to love and listen and be kind. I need to return to them.