Metaphors

I remember a time when I wrote and he replied. I wrote to him during his work hours, delivering news of triggers and associations as if he were still here: reports of the fridge door having fallen off its hinges and a photo of "breadcake", a piece of white bread with some candles impaled in it. He wouldn't reply as often as he used to, but he would claim that he sent messages that I never received. When I did receive a reply, he was polite but distant, half-heartedly entertaining my stupid stories about a life which could only really be described as Fawlty Towers meets The Young Ones. I knew that he hated it here and I knew he would never return after he left.

I mourned his physical and emotional absence. His replies lacked the kind of warmth and personal interest I had grown accustomed to. I dreamt up this metaphor of being partially submerged in a raging river. I would cling onto a rock to save myself from being carried away in the torrent. He was like that rock, inadvertently shaped like a handle, not purposefully doing anything to encourage me to hold on, but still providing a means for me to cling and hope. The river represented other hostel encounters and the existence of other possibilities that I purposefully avoided. I held my head above water, still feeling that pressure to accept his choice, to let go and move on.

I dwelled on that scene, describing it to Don, a short-term guest who had the tendency to veer our every conversation into the realms of intense romantic trauma. Don had the noble intention to keep our conversation light, but we were genuinely incapable of small talk and so he still found himself there with me at reception, extolling brutal therapy til the early hours of the morning. I'll never forget how he described what was happening to me, he said it was akin to a kind of haemorrhage: "You are used to having this daily exchange and now it's like you are losing your life force. You are bleeding everywhere. You are getting nothing back anymore..."

To anybody who had any kind of distance from the situation, the sudden and complete lack of responsiveness was to be expected. I could never really accept it, however, relying upon prior assurances that we would always have access to one another. He would always respond to me. In light of that, we had always discussed concepts like legacy and consequence, perhaps as a subconscious attempt to help me manage those future triggers and associations that would plague me. I'm now left to consider the veracity of all these grandiose assurances and I don't know how to reconcile any of it: "I won't be able to listen to music without thinking of you..."

Notebooks need to be filled. Essays, songs and unsent letters need to be written. It will eventually manifest in kindness, clarity and indifference. Most importantly, I have to continuously remind myself that although there might be silence, but the dialogue which I share with Missy Laur provides the kind of space and patience necessary to wring out any plague. It was surreal to have her sit across from me in reception, as so many others had done before. I described Don's vivid metaphor to her. I added that her insight had always managed to make me feel so alive, so together. I felt so gratified that she knew it too: "Of course! I am your dialysis machine."

Legacy

I had this dream last night, where we were in the dimly lit carpark of my local supermarket and you asked me whether I read those essays you wrote, those essays where you described the extent of my influence. I let out this momentary huff of scepticism: "No, I guess not."

If I sleep for long enough, I eventually see these people I've lost. I recently had another dream, this time involving someone else, where we decided to make a break for it. When you were caught, you held me and said: "There will be silence, but I'll remember all you said."

I wake up startled and disoriented, but surprisingly reassured in my blurry-eyed state. It's remarkable how the subconscious can manufacture these consequential moments. It can depict these vivid encounters and these words that, on some level, I want to hear.

When I am awake and lucid, I see there's no real desire to experience these consequential moments. There's nothing particularly unresolved in my heart or head, but I suppose I want a legacy, as stupid and selfish as that sounds. I want to know that I am remembered.

I know that it's never particularly congenial to be included in the official records. More often than not, I feel like an indiscretion that needs to be covered up. I always marvel at how well it is covered up, though. It's much easier to construct a life where I never actually existed.

Brian Cook