It was a chic style, a 1920s bob, not unlike Louise Brooks or Edita Vilkevičiūtė as Chanel for Lagerfield. It was the closest I could ever get to shaving my head, the true cultural signifier of being hopelessly depressed.

As I was complimented for the boldness of the cut by strangers at parties, I could only think: "You don't know..." When I left his Jolimont apartment at 4 o'clock in the morning, I could only think: "You don't want to know..."
My dark hair now reaches far, far down my back, in thick cascades of incidental waves. I describe its length as cinematic and I revel in how it somehow illustrates that time has passed and things have changed.
But when he glances at me vacantly, with his new frames and unfamiliar beard, I know nothing of what he thinks. To ease the threat of self-reproach, I imagine he is looking at my hair.
I imagine he is looking, not only to survey its excessive length, but to recall its similarity to a style I once had. The style I had when we would hang out together and laugh endlessly... and I would actually be happy.